a summary of ‘subh-e-azadi’ and ‘yahan se sheher ko dekho’ by Faiz

A summary I did of Faiz’s poems , ‘Subh-e- Azadi’ and ‘Yahan se shehar ko dekho’

The poet writes this work on the eve of Indian independence, with a sense of melancholy about the fruits of labour, he verifies that this is not the independence that was sought after. The poem begins on a dark note with disillusionment, the bittersweet nature of the triumph. It goes on to describe the single mindedness with which the voyages of this journey resisted the temptations of fancy., and when dawn finally appeared, when the storm clouds cleared then came a sense of clarity between the struggle and the goal. The poet then goes on to describe that the comrades are changing, how in which gratification is sought more than angst, and the pain of partition does not weigh on their apparent disposition. The fine breeze of dawn has just passed by and the wayside lamp barely noticed. The gravity of night has not lightened, and the time for redemption has not yet arrived, so the poet urges his comrades and compatriots to keep walking, for that destination is not in sight.

Yahan se shehar ko dekho

In this poem the poet is writing as a response to the 1965 roits in Karachi. In the dismal picture that he paints , the city looks like a maze with exit, like a prison , with no freedom and where repression reigns. The city he describes is one with a faceless crowd where no one is allowed to grow, where every man is a potential victim and every women a slave. He describes the lazy anarchy of the morning as a thankless hopeless circular prison walk.

My residency

I’m on the verge of losing my residency.I haven’t managed to get a Visa on time and the organisation seems to have left me out their budgeting process because my passport took a long time to come through given that I haven’t been in this city for more than a year, wasn’t planning to move back here when I moved, couldn’t get the documents together on time…

We’re into the fourth day of the six week residency.I’m going through a travel agent in order to get the Visa made, and he says that it could take about seven days for the Visa to come through.

The organisation says ‘better luck next time!’, but I’m not willing to let this residency go…I need it desperately right now…the energy, being in Pakistan…1947, 1961, the Urdu, a chance to work with Citizen’s archive of Pakistan, having a show in Karachi…

I feel really culturally drained right now,  and this residency and making work around the theme ‘State of being so divided’ promises to be cathartic as well as rejuvenating…It would be a pity to let it go.

a writer of colour

My essay, ‘Curfew’ has been published in Sundryed Affairs , a journal of non-fiction for writers of colour.

This is how the journal describes itself:

SunDryed Affairs is an online nonfiction magazine, featuring primarily the work of writers of color. It was born out of the noticeable lack of ethnic diversity in the collective blog arena, a place generally filled with quality writing, yet oftentimes, writing for, by, and about one tiny corner of white America.

The name is a play on the words “sundry,” meaning various, and “sundried,” which calls up images of brown. Our goal is to make a space for writers of color to share an array of ideas, whether on politics or music, travel or family, from the quotidian to the earth-shattering, in an environment that feels inclusive and familiar while still being distinctly fresh.

This is a link to the page.

I’m terrible excited that I’ve published here, writing from India.It makes me seem like the process is getting somewhere, knowing how hard it is to live and survive , even in a post-colonial country.

Cognitive science and the courses I haven ‘t blogged

street scholars 'enchantment and politics' programme

Cognitive science is one of the most the most challenging fields in academia today and is exciting and interdisciplinary in the ways that it can tell us about the mind.
The national institute of advanced studies is holding a summer school on cognition this month and I’m happy to have gotten in.more on the courses I haven’t blogged coming up.

a residency!

I’ve been chosen to attend the six week residency called ‘State of Being so Divided‘ held by the Citizen’s Archive of Pakistan and Vasl Artists Collective in Karachi which looks at 1947 and 1971   in the context of conflict in the subcontinent and the Partition of India in September.

I’m thrilled to be visiting Pakistan; it could be  cathartic experience for me, after having dealt with communalism for a long time in my career.I’m both anxious as well as enthusiastic about spending time with the Citizen’s Archive of Pakistan.

 

links for 2011-07-08

  • Interacting with Umesh Kumar after a while has been fruitful.He has had an interesting time at the Gasworks residency in London.We had an interesting conversation in which he gave me some important art historical input, asking me to look up names such as Susan Hiller, Yyvonne Rainer, Martha Rosler and Gordon Martha Clark.
  • Working with Janet and Jennifer from the the Emily Dickenson project has put me on to the "Scum Manifesto' by Valerie Solanas.Janet Burchill and Jennifer Mc Camley shot a film about Valerie Solanas who is said to have shot Andy Warhol.
    The manifesto is as militant as it is true, down to the very last word.